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I imagine this timing most likely established during the Palladium era but I have not validated that. Eddie Torres began instructing and popularizing this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dancing instructor, who aided him create his method and timing.

The story I'm regularly told below, that still needs further examination, is that as salsa started reaching new target markets outside of the Caribbean and New York, it was less complicated and a lot more user-friendly to instruct cultural outsiders to dance On1 as opposed to On2. Nonetheless, this tale doesn't account for the reality that I have actually heard Rueda de Gambling establishment was originally danced a tiempo On3 in Cuba.

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Salsa On1 is simply one of various salsa timings you can dance to and it is the most common timing you'll discover on the planet today. Salsa On1 timing interpretation: "On1" suggests you begin dancing on the very first beat of bench of music the 1. Your break steps (instructions changes) are on beats 1 and 5.

The exemptions I have actually discovered thus far, where On2 is most usual, would be around New York and in South Korea (Salsa Dance San Francisco). I make certain there are other areas that dance mostly On2 yet I haven't danced in every nation yet! If you're not certain what timing is most usual where you live, ask your neighborhood dancing studio

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When a person states "I dance salsa On1" they most likely mean "I dance direct style salsa On1" (although you can dance any style of salsa On1, individuals generally indicate straight style). Do not worry if you have actually claimed these things previously, it's all excellent we all have! The important thing is to keep in mind there's a distinction between design and timing and deepen your understanding so you can be much more precise when speaking regarding salsa with your pals.

It attaches perfectly with the wording in the music, specifically the piano, and other percussion tools like the cow bell and giro. Timing and design are 2 different points, so separate the concepts when you speak about salsa with your buddies. No matter of what timing is most typical in your region of the world, remember you can practically dance any kind of style of salsa to any type of timing discover and take pleasure in!

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There is an initial mambo dance that came from Cuba and after that spread to Mexico and New York in the 40s and 50s, these days when somebody says "I dance mambo" they indicate salsa On2, which is various than the initial mambo dance. The occasional free-from steps of the original mambo were danced solo.

As the dance began to spread, On1 timing started to come to be preferred. Salsa On2 definition: "On2" indicates you start dancing on the first beat of the bar of music the 2.

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Historically those are the tools that a boy cubano professional dancer attached with which was handed down to mambo and salsa. A great deal of professional dancers appreciate dancing On2 for the diverse ways you can connect to the songs. This is the initial child cubano and mambo timing. Boy cubano is the songs and dance that preceded mambo and salsa.

It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is much like dancing On2 contratiempo however you include the three-way action on 4 and 8. Danced to the exact same beats as On1, your break steps are currently on 2 and 6, which alters the feeling of the dancing.

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This timing is practically identical to contratiempo On2 yet the steps that are generally on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In fact it seems it's often danced as kind of a "error" for anybody dancing the previous two timings.

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As pointed out earlier, this was the very first analysis of dancing on clave (boy clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to straighten as numerous steps of your basic as feasible with the strikes of the son clave.

Things about songs and dancing is that there is no right or incorrect. There is just interpretation. You can dance on any kind of timing you like! Naturally, individuals have found a method to dance on almost every timing feasible to son and salsa music. People dance On3 for the same reason you dance On1 since it emphasizes the solid beats of 1-3-5-7.

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Salsa San Francisco

Allow's check out the beats you dance On1 to: -2-, -6- (strong beats remain in bold) Allow's consider the beats you dance On3 to: -4-, -8- (strong beats remain in strong) Notification just how the strong beats are spaced exactly the same for On1 and On3? All you do is start stepping On3 rather than On1.

That's why dancing On3 is so typical in Latin America. People either Try to dance On1 yet start stepping On3 by crash and it functions out just penalty, or They do not recognize much regarding timing and are simply interpreting what they listen to in the music, based on their experience growing up in a culture with salsa.

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